Gavin A Go Go’s Vault Of Horror: The Invisible Man


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Installment number 6 in our series of horror-thriller movie write-ups. Written by Gavin A Go Go. This is The Invisible Man. Released in 1933.

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The Lions Head Inn is in full swing, all fun and frolics. In walks a stranger, wrapped up head to toe and eyes covered with some peculiar glasses. The place goes quiet. The man demands a room be made up for him. Once shown to his accommodation he insists on absolute privacy.

Months later after falling behind on his rent and damages to the room he is asked to leave the inn. The landlord starts to clear the strangers equipment and this angers the tenant. A struggle develops between the two men resulting in the guest throwing the landlord down the stairs.

2nd

A police led mob try to apprehend the stranger but that’s the last straw! He throws his nose at them, then removes the glasses and takes off his bandages revealing that he is invisible. Laughing like a looney he removes all his clothes making him undetectable. The mob try to capture the man, but he easily escapes causing lighthearted chaos through the village.

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This man is Jack Griffin, A scientist who months earlier left his hometown leaving only a note behind telling his mentor Dr Cranley, his partner Dr Kemp and his fiancee Flora Cranley that he has skipped town to carry out some experiments. He has gone in to hiding to try and develop an antidote to a previous experiment. An experiment that turned him invisible. This came to fruition while mixing a few simple chemicals, one of which is monocane. While this chemical may be the key to his invisibility, unbeknown to him, it is also making him insane.

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Turning up at his former partner Dr Kemps house. Demanding warmth and clothing Griffin goes on to tell Kemp of how he came across his discovery and evil plans for murder and world domination and insists on Kemps partnership in his cause, but first they must return to the village to get Jacks notebooks.

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Once Jack has his books, back at the Inn, the police are trying to get to the bottom of what they believe to be a hoax, only to become the subject of ridicule and ultimately death at the hands of Griffin. The doctors then make haste back to Kemps dwellings. Now the law begin to take the village seriously and start a nation wide search for the transparent mad man.

At Kemps house, Griffin retires for the night. Kemp takes this opportunity to go in to his study, lock the door and contact Dr Cranley and the police to let them know where the Invisible man is. During this time Flora learns of Jacks condition and insists on seeing him that very night.

Still in the study Griffin demands that Kemp unlock the door and forces him to go to bed. Passing a window Jack sees a car pull up. Initially thinking it’s the police he soon realises that it is his beloved and mentor. Insisting on seeing Flora alone he goes to prepare himself. While telling her of his motive of the experiment the megalomaniac goes on a rant of power during which he see’s the police approaching the house. Learning of his partners betrayal he promises Kemp that he will meet his maker at 10 o’clock the next night and scarpers.
6th

Under interrogation about the Cranleys involvement in the case the police quickly learn the true identity of their fugitive.

On the run Griffin wreaks havoc of daylight robbery, carnage and an orgy of murder. How will they stop THE INVISIBLE MAN!!!!!!!

Adapted from H.G Wells’ sci-fi novel, Universal Studios released this great piece of cinema in 1933. Boris Karlof was first choice for the lead, but turned it down as he would have very little screen time, so he lost out Brixton born Claude Rains in his first American screen appearance. Rains got the part due to James Whale accidentally hearing Rains screen testing played in another room.

Director James Whale was also the force behind Frankenstein and Bride of Frankenstein. Openly gay, which was virtually unheard of at the time, there is a myth that Whale claims to have The Invisible Man get totally undressed in the mob scene so as to get one over on the censorship comity by having a man fully disrobe on screen.

I honestly didn’t think I would enjoy this film as much as I did/do (I have watched at least 5 times since). It has very high camp factor and at times reminded me of Blackbeard’s Ghost meets Benny Hill, especially the scene where the mob are running around trying to arrest the shirt and the bike.

The effects are truly amazing for the time, hold up extremely well and are often said to have made the film as successful as it was.

The script is fantastic.

We’ll begin with a reign of terror, a few murders here and there, murders of great men, murders of little men – well, just to show we make no distinction. I might even wreck a train or two… just these fingers around a signalman’s throat, that’s all.

Is my personal favourite quote.

The thing I liked about this most was the cast, Everyone from the lead to the Policeman. My favourite would have to be the Landlady, shrill over exaggerated, almost ridiculous at times.

The Invisible Man t-shirt is absolutely perfect, brilliant colour, font and choice of images absolutely nail it. Grab yours now before they disappear!

the invisible man tshirt

Gavin A Go Go’s Vault Of Horror: Dementia 13


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It’s Friday the 13th again! Here is installment number 5 in our series of horror-thriller movie reviews. Written by Gavin A Go Go. This is Dementia 13. All the 13’s! Released in 1963.

On the eve of his sisters memorial service at the families ancestral Irish castle, John Holoran takes his greedy wife Louise for a boat ride on the same pond where his little sister, Kathleen drowned six years earlier. While strenuously rowing and arguing about his mothers will, John suffers a fatal heart attack. Realising she will inherit nothing if John was to die before his mother Lady Holoran, Louise covers up his death, throwing the body overboard and convincing the family that he had to return to New York, while she is to stay behind to acquaint herself with her extended family.

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During her visit with the not exactly welcoming in-laws, Louise discovers more about the death of young Kathleen which she uses to devise a heinous scheme to get on Lady Holorans good side. While helping her mother in law recover from passing out during the ceremony, Louise manages to convince Lady Holoran that she is able to communicate with her late daughter.

Under the cover of darkness, Louise sets her elaborate ploy in to motion. Although she makes a lot of noise, her plan seems to be going as intended. Outside she continues putting all of the pieces of her puzzle in place. Once completed she discovers something out of the ordinary. Scared, she rushes to get back to the castle, but an axe wielding looney makes himself known by attacking and ultimately murdering the gold digger.

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Dining at the pond one of Louise’s tricks comes in to fruition and Lady Holoran believes it is a sign from her daughter. That night mother goes to where she thinks all the signs lead, only to be attacked by the same madman which sets him off on a furious rampage picking off the family one by one; but who is it?

After his uncredited horror directional debut, The Terror with Roger Corman, Francis Ford Coppola went on to conceive, write and direct this brilliant example of early horror with Corman as producer. Without any direct references Francis is clearly influenced by Alfred Hithcock, but has taken that influence to construct his own “who done it?” chiller in his own unique style. Creating this film on a shoestring budget of just $20,000, a rushed shooting schedule and Coopola only being 22 at the time, it’s no wonder he went on to be one of the most influential directors of all time.

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Right form the outset of this flick you get an enormous feeling of animosity and lack of trust between most of the characters which makes for an uneasy 75 minutes, but great viewing. Hooked in straightaway the tension built up nicely to the first kill, with subsequent attacks spaced out nicely making the film move at a perfect pace. Without feeling any connection or remorse for any of the characters, I couldn’t wait to see who got the axe next but was a little disappointed with the amount of deaths. There wasn’t a great deal of gore either, but I didn’t expect it to really.

A personal favourite scene in this film is where Louise is about to set up her pond prank. She breaks in to Kathleen’s room to take some toys some of which start so move (they are wind up, not possessed) and they are lit in a very menacing way which looks incredible, ensuring a sense of dread.

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Each individuals purpose and actions give the otherwise simple story a lot more depth which is a great example of how to tell a tale.

Right through to the end you have no idea who the killer actually is. The family is so dysfunctional and the other characters come across creepy and sometimes armed, they all have a motive to kill.

The t-shirt depicts our leading lady Louise, just about to meet her maker in full colour print, done in an amazing classic horror style with a great perspective angle including the creepy castle giving it more dimension. By now some of you will know one of my favourite things in movies and especially 50’s/60’s horror is the marketing gimmicks that come with them and the wording on this hilarious. It’s perfect!

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New Dead Kennedys Merch!


Great news! We’re happy to say that we’ve now widened our range of Dead Kennedys merchandise!

If you’re even only slightly aware of punk, Dead Kennedys is a name that should ring a bell with you. One of the prime bands of the early-1980’s hardcore punk movement in America – along with Bad Brains, Black Flag and Minor Threat – Dead Kennedys were a band that pushed punk further with speed and aggression. Unlike their contemporaries, they were far more political than social thanks to Jello Biafra’s lyrics; which were often playful and drenched with satire while criticising right-wingers and totalitarian governments, written in the point of view of those people more often than not. Check out songs like Police Truck and California Uber Alles and you’ll get the idea.

Unsurprisingly, this meant that the band stepped on a few toes during its existence, Jello often feeling the brunt of the backlash. Their 1985 album “Frankenchrist”, the band faced charges due to their use of H.R. Geiger’s ‘Work 219: Landscape XX’, for ‘distribution of harmful matter to minors’. For a while, Biafra ended up on several heated talk shows defending the band’s actions and creativity to angry audiences, unveiling in several of the police brutality he experienced during a raid of his home.

After all the trouble and controversy of that particular time, Dead Kennedys decided to call it a day in 1986 after releasing the suitably named “Bedtime For Democracy”.

While the band has reunited – guitarist East Bay Ray being the only original member now – they haven’t released anything new and seem to have lost their shine when communication with Biafra soured after the break-up. Granted this is a shame, but Jello has experienced continuing success with his own band Jello Biafra and the Guantanamo School of Medicine (often playing Dead Kennedys songs live), his spoken word albums and collaborations with the likes of Melvins and D.O.A.

Nevertheless, Dead Kennedys left a big impression in punk, rock and metal; influencing a whole generation of teens and a myriad of bands, most notably Slayer, as the late Jeff Hanneman was a huge fan.

You can check out our updated Dead Kennedys merch, and visit the official Dead Kennedys website.

Related merch:
Bad Brains
Misfits
Bad Religion

New Emperor Merch In!


In 2013, Emperor announced their reformation with their headline appearance for Wacken 2014 (soon after they added Hellfest and Bloodstock to their festival headlines as well) and the metal community ended up selling out the festival within days. So we’ve decided to join in and show our excitement with a BIG range of Emperor merch!

Emperor was one of the biggest bands to come out of the first-wave of black metal with their contemporaries Burzum, Darkthrone, Mayhem, Satyricon and Immortal. Each band had their own distinguishable trait and Emperor’s was their clear appreciation for progressive rock/metal thanks to the technical abilities of the band, especially seen with vocalist/guitarist Ihsahn and his solo project. They also had keyboards which were a staple to the band’s symphonic sound.

The history of Emperor has been a long and dark one with its affiliations to church burnings and the controversy surrounding the ‘Black Metal Circle’; which has undoubtedly just as much helped the band publicity-wise as much as it has complicated it. The backstory aside, Emperor were undeniably crucial to the rise and popularisation of black metal through their music: a metal classic born through their track I Am The Black Wizards.

Although there are only four studio albums to their name, Emperor managed to lay down its legacy with their debut “In The Nightside Eclipse” and the follow-up “Anthems to the Welkin at Dusk”; which are the undisputable fan favourites in the black metal community. So in celebration with the great news of their reunion, we’re also celebrating the 20th anniversary of “In The Nightside Eclipse”!

Emperor Tshirts & merch merchandiseTo view the rest of the influx of our Emperor merch, just go here. You can also view Emperor’s official website.

Related merch:
Burzum
Bathory
Gorgoroth

Crosses Shirts Now In!


Here at Eyesore Merch, we are happy to announce that we now have Crosses – or ††† – merch in stock! The project formed by Chino Moreno (of Deftones, Team Sleep, Palms), Shaun Lopez (Far, The Revolution Smile) and Chuck Doom is something outside either of the former two’s usual style; although it should not come as a surprise if you know about Chino’s love for the likes of Depeche Mode and Duran Duran.

Crosses are a sort of pop-rock/electronic band that fuses synth-pop melodies with the occasional use of guitars to create big choruses – all the while Chino croons with dark romantic lyrics shrouded in mystery. So far, the reaction to this project has been nothing less than fanatical.

Even though they only formed in 2011, Crosses has managed to achieve a lot in its time so far, especially in consideration with each member’s outside commitments. Releasing the equally welcomed “EP 1” in 2011 and “EP 2” in 2012, they have contributed a track to the Batman: Arkham City game and a remix of the infamous Dragula track on the Rob Zombie remix album “Mondo Sexhead”. In 2013, they unveiled a track called Bitches Brew (a clear tribute to the legendary Miles Davis) and performed several live performances throughout the year. Now they have scheduled the release of their debut self-titled album for the 11th February 2014.


So it’s no surprise that we’re excited to be able to spread the name of Crosses here in the UK! We’re looking forward to what the future brings with this trio.

You can check out our selection of Crosses merch, and visit the official Crosses website or their facebook.

Related merch:
Roxy Music
Gary Numan
Faith No More

Eyesore Merch @ Hammerfest 5: In Fear Of The Dragon!


This year at Wales’s biggest metal fest, held at the Hafan Y Môr Holiday Park in Pwllheli, the Eyesore Merch team will be hitting Hammerfest 5: In Fear Of The Dragon, ready with a stall to satisfy your band merch needs!

The festival will be providing sets from the likes of the thrash-hards Sodom and Destruction, grindfathers Napalm Death, doomsayers Saint Vitus and Candlemass, hardcore vets Hatebreed, industrialists Killing Joke and death purveyors Ensalved. There will also be a big selection of popular acts from the underground with Winterfylleth, Dyscarnate, Flayed Disciple, Lifer, Bloodshot Dawn, Serpent Venom and many, many more.

Eyesore Merch will be setting up shop and selling merch of Hammerfest attendants Napalm DeathEnslavedAngel Witch and Killing Joke; as well as a wide, general selection of other band merch.

Not only that, but you can expect a live review feed on both the official Eyesore Merch Twitter and Facebook pages, keeping you updated on who rocked and who slopped – plus we’ll be posting interviews as well!

Let us know who you’re excited to see and who are the acts not to miss over the three-day event

In the meantime, this is who we’re excited for:

Ali –

Hammerfest is nigh! Really looking forward to hitting Wales again this year for some metal mayhem. This fest has been getting better every year and has some seriously cool bands to check out in 2013. I can’t wait for a dose of Killing Joke as I have never seen them live before. Massively excited to see Enslaved again, especially with new album RIITIIR under their belts as well as the dulcet doom tones of Candlemass and Saint Vitus. Oh, and I was surprised and happy to see the impressive Chimp Spanner on the bill. Looking forward to see how he handles the usually solo project with a full live band. Come by the Eyesore Merch stall, say Raaaaggghh, drink beer and buy merch! See you in 2 days people 🙂

Rich –

If I hadn’t already seen Napalm Death before, they would be in the number one spot. However, I’m most excited to see Saint Vitus play on Saturday – one of the most influential bands in doom and stoner metal, and fronted by the legendary Wino, whose performance in will be without a doubt unmissable. I’m pretty hyped to see Candlemass and Destruction (NAILED TO THE CROOOOSS!) too, and Killing Joke will be cool to see as well.

UK TOURS & FESTIVALS: March


Here’s a new feature where we let you guys know where and when some of the most awe-inspiring UK tours and festivals take place within each month. So here’s to March!

Who: STATUS QUO
When: 6th-17th March
Why: Despite reaching their mid-sixties now, the famous guitar duo Rick Parfitt and Francis Rossi are far from slowing down, still putting a lot of younger bands to shame. Plus, do you really need an excuse to go see these legends?

Dates and tickets here.

Who: CANNIBAL CORPSE& DEVILDRIVER
When: 7th-10th
Why:
Cannibal Corpse may just wear the crown for the biggest and most influential band in brutal death metal, the band have been unleashing gore onto the world since the eighties and have found themselves in the centre of controversy and films (Ace Ventura, anyone?). Co-headlining the tour is California’s own metalcore troupe Devildriver, headed by ex-Coal Chamber maniac Dez Fafara. Definitely a tour worth catching.

Dates and tickets here.
Get your Cannibal Corpse merch here.

Who: CANCER BATS /w Brutality Will Prevail + Empress
When: 8th-22nd March
Why: One of today’s hardest working bands in hardcore/punk are set to tour the UK for two weeks without a break. Last year, Cancer Bats pulled off the “Pentagram Tour” in London, playing six shows in five venues in one day. Also, Welsh hardcore up-comers Brutality Will Prevail are a band you have to see.

Dates and tickets here.
Get your Cancer Bats merch here.

Festival: HAMMERFEST V: IN FEAR OF THE DRAGON
When: 14th-17th March
Where: Pwllheli, North Wales.
Why: Basically, here are some of the big names in metal that are playing there, and you’d be a fool to miss them: Saint Vitus, Killing Joke, Candlemass, Napalm Death, Sodom, Angel Witch, Destruction, Enslaved, Hatebreed and a ton of promising and rising metal bands.

Day tickets are still available here.
Get your Napalm Death merch here, Angel Witch merch here and Enslaved merch here.

Who: GHOST, GOJIRA & THE DEFILED
When: 18th-24th March
Why: This is the Jagermeister Music Tour and metal’s favourite shot producers have put a hell of a line-up for this six-date tour. Ghost have garnered a strong underground following with their throwback to classic heavy metal, along with their love of theatrics. Gojira currently lay down some of the heaviest shows going with their incredible technical death metal, while The Defiled follow suit with a more melodic approach. All this for £5!

Dates and tickets here.
Get your Ghost merch here.

Who: THE GASLIGHT ANTHEM
When: 21st-30th March
Why: The New Jersey four-piece mix the both punk rock and the good old rock’n’roll feel of Bruce Springsteen, forming the soundtrack to many summer memories. These guys are climbing the popularity ladder pretty fast too.

Dates and tickets here.

Who: THE BLACK CROWES
When: 24th-30th March
Why:Still jamming out blues-infused rock, these catchy feel-good rollers have decided to quit the haitus and get back on tour – maybe it’s best to catch them before they go on a long-term haitus.

Dates and tickets here.

Album Review: The Bronx ‘IV’


The_Bronx_IVThe Bronx –  IV
Genre: Rock / Punk
Label: White Drugs/ATO Records.

Finally, after a long wait for a new The Bronx album (as good as their Mariachi project is, well… we need more of The Bronx!), their fourth release comes to light five years after their previous self-titled effort. The quintet are made up by energetic vocalist Matt Caughthran, guitarists Joby J. Ford and Ken Horne, bassist Brad Magers and drummer Jorma Vik.

They originally started off as a hardcore punk band, with more emphasise on the punk part, but over time the guys have slowly moved away from the aggressive sound of their first two releases. This release sees another leap in the change of their style, not moving more towards punk, but past it, and further into straight forward rock’n’roll.

This is undeniably the catchiest and most accessible the band has ever sounded, but it’s far from a bad thing at all: they pull it off! Matt’s raspy vocals suit the style just as much as his mixture of screams and singing suited the punk style of their previous albums, and his focus on clean vocals here is nothing short of charming.

The album opens with The Unholy Hand at fast pace and the opening lyrics instantly grab your attention “They’ve got you working on the weekdays / They’ve got you working on the weekends too / I know you’re swallowing your paycheck / Like it’s what you always dreamed you’d do”. The instrumentation and structure of the song is pretty straightfoward, and this attribute rings through the following tracks for the most part of the album, but not in the predictably tiresome way.

Along For The Ride has an upbeat jittery riff and Matt sounds lighter, almost as if smooth-coating the overall sound. The chorus is just ridiculously catchy and unforgettable – something you could easily imagine as a soundtrack to a Jackass film trailer, or cruising along to in your car during the summer. Style Over Everything is perhaps the first track that doesn’t strike as a stand-out track despite having a fairly big sound for The Bronx, it just never really goes anywhere, despite being moderately enjoyable.

The fourth track Youth Wasted has a bit of a punk twang to it but stays so light, and with lyrics like “Youth is not wasted on the young”, it has a happy reminiscent feel to it. Too Many Devils sounds like The Bronx unifying the styles of Floor and Jucifer with it’s guitar and drumming, respectively. Again, the chorus is just very catchy. And then Pilot Light changes the pace, slowing it down slightly with it’s stomping verses, and is way catchier than the chorus, almost majestic and obnoxious in its own way that you can’t imagine Matt doing anything else but pulling some Freddy Mercury moves during it.

Dare it be said, seventh track Torches sounds incredibly Weezer-ish at parts due to its pop-sensibility, and while this might make long-term fans want to snort in disgust… well, The Bronx make it sound really good! The lead guitar with its semi-clean arpeggio and the bursting chorus really sounds like it’s The Bronx’s very own My Name Is Jonas.

Unfortunately, the following track is slightly forgettable as Under The Rabbit doesn’t really bring anything to the table, and feels a bit of a rehash of what you hear in some of the previous tracks. Ribcage is another track that has a slight punk feel to it, instrumentally and lyrically, but again feels so light-hearted that it doesn’t have you feeling like starting a riot but thinking about your best summer.

Valley Heat, while again covering the same ground as a few previous tracks, just has this infectious melody that sounds like a sped-up Sweet Child O’ Mine during the verses, without the sleaze. But then you’re given the only downright morose track on the album, Life Less Ordinary, and as odd as it may sound, is really refreshing at this point in the album. The sobering introspective lyrics “I’m not ashamed to say I’ve lost my mind /Been walking backwards my whole life / Some might say there’s a price I pay /For a life less ordinary” grab your full attention with raw beauty. Plus the coughs and low hums that you hear makes the track feel pure and authentic.

Following with the closer Last Revelation, with its up-beat instrumentation, feels slightly disjointed at first considering the nature of the previous track, but you soon forget about it with its carefree attitude and chorus-focused style.

While “IV” might edge close to being overly repetitive at times, it’s near impossible to feel cheated or claustrophobic, as such is the case with bands that fall into the habit of repetition. Considering most tracks on this album rarely reach the 3-minute mark either, you find yourself putting some songs on over and over again for that particular chorus or verse, as the album just flies by when you’re subjected to so many catchy moments with this.

As the aggression that seethed within The Bronx during their earlier releases shrinks further and further away, this is an equally enjoyable album to those efforts. Yes, the spiteful angst is something that made those albums great and addictive, but there’s no reason a long-term fan should find this hard to sit through. Plus if the band is as happy as the music suggests, then it seems like they’re not leaving us any time soon, and that’s something to take comfort in.

7.9/10
Favourite tracks: Life Less OrdinaryTorchesAlong For The Ride.

Review by Rich Reviewz

Best Of 2012: Our Top 10 Albums List


So here we are. We have almost made it through 2012. Today could be our last day if the Mayan calendar is correct and the world is due to end tomorrow, 21st December but fingers crossed we still have a little more time to enjoy some more great music.

Way back in April we posted our first 4 month round-up of our favourite albums of the year to date. This was followed up 4 months later with another list in August and as promised, here we are 4 months later at the end of the year ready to share some more top picks of the past 4 months as well as our Top 10 albums of 2012 list.

So here we go!
First off, here is a selection of new releases that we have been enjoying since our last post in August:

ZZ Top – La Futura
Soundgarden – King Animal
Feed The Rhino – The Burning Sons
Bury Tomorrow – The Union Of Crowns
Katatonia – Dead End Kings
The Gaslight Anthem – Handwritten
Bruce Springsteen – Wrecking Ball
While She Sleeps – This Is The Six
Noel Gallagher’s High Flying Birds – Noel Gallagher’s High Flying Birds
Two Door Cinema Club – Beacon
NOFX – NOFX
The Killers – Battle Born
Mumford & Sons – Babel
Down – Down IV Part I
Devin Townsend – Epicloud
Muse – The 2nd Law
Lower Than Atlantis – Changing Tune
Bob Mould – Silver Age
Coheed And Cambria – The Afterman
Hooded Menace – Effigies Of Evil
Converge – All We Love We Leave Behind
Kiss – Monster
Anaal Nathrakh – Vanitas
Enslaved – RIITIIR
Pig Destroyer – Book Burner
Fear Factory – The Industrialist
Blood On The Dance Floor – Anthem Of The Outcast
Family – Portrait
Black Country Communion – Afterglow
And You Will Kow Us By The Trail Of Dead – Lost Songs
alt J – An Awesome Wave
Aerosmith – Music From Another Dimension
The Rolling Stones – GRRR
Rolo Tomassi – Astraea
Deftones – Koi No Yokan
Call Me No One – Last Parade
Focus – X

So after much deliberation and discussion we have managed to reach a decision on our top 10 albums of 2012. Take a look and leave a comment with your top 10 list.

(In no order)
Soundgarden – King Animal

Enslaved – RIITIIR
Black Country Communion – Afterglow
Rush – Clockwork Angels
Deftones – Koi No Yokan
Tank – War Nation
Gojira – L’Enfant Sauvage
Anathema – Weather Systems
Black Breath – Sentenced To Life
Bob Mould – Silver Age

Merry Christmas and a happy new year!

Album Review: Deftones ‘Koi No Yokan’


Deftones – Koi No Yokan
Genre: Alternative Rock/Metal
Label: Reprise

Deftones, a name that has undeniably made its way into the life of a fan of rock or metal in general, for better or for worse. Going through the band’s history would require an essay twice as long as this review will be with all the rumours, addictions and the additions of members as years passed. All you need to know is that Deftones are known for never making the same album twice: constantly evolving their sound into something else with every release… is “Koi No Yokan” a step in another direction again? Yes.

It felt an age since Deftones released anything new, but it’s only been over two years when they released “Diamond Eyes”. Two years prior to the 2010 release, a horrible car accident left bassist Chi Cheung in a coma, and instead of putting their talents to rest  the band continued (while garnering moral and financial support for Chi and his family) with the help of Quicksand bassist Sergio Verga, who makes his second album with Deftones via “Koi No Yokan”. However, music is the business here…

To put it bluntly, Deftones have really managed to pull some astonishing feats on this album. Several songs sound like short soundtracks to crumbling of old statues that have finally fallen from time or stars ploughing into cities that have stood through thousands of years of civilisations; like nature the resetting of a score. Then others are some of the most sincere love ballads with a punch that you’ve heard in years. The overall sound is titanic, huge, colossal and any other synonyms for ‘big’ I haven’t included: it’s just massive.

What’s different? Well, Stef’s toned down the obvious Meshuggah-influenced riffs that appeared often in “Diamond Eyes” and has leaned back to style of the hard-hitters on “Saturday Night Wrist”, and it seems that Sergio’s presence is a lot more prominent too, and that his role in the band is a lot more relaxed and creative. Probably the most surprising thing in consideration of the overall sound is that Chino rarely screams on this album – possibly cementing it as the most vocally clean album in their discography to date. Otherwise, Abe and Frank provide their usual attributes to the sound, the former giving his standard powerful and catchy drums while the latter adds keys and moments of ambience to the mix.

Opener Swerve City starts at full pace – no soft introduction, no build-up, just a guitar riff that inspires nothing but high jumps immediately, but then smoothly transcends into an almost drive-at-night soundtrack with its smooth flow and Chino’s alluring vocals. The track just prepares you for what to expect for the rest of the album. Romantic Dreams has an old school alt rock feel, not far from the likes of their favourites Jawbox, and teasingly progresses into one of the catchiest choruses that Deftones have ever penned; which will no doubt have audiences at live performances weeping along to “I’m hypnotised by your name / I wish this night would never end”. Just a powerful track so early into the album that makes you wonder how can they possibly keep the it up.

Leathers starts of softly with some tingling ambience between a clean guitar notes and keys, almost promising a break from the energy of the first two tracks, but then the whole band jumps in and throws a heavy slab of aggressive riffs and generally one of the more metal sounding moments on the album, before dropping into a melodic chorus with the haunting “Shedding your skin / Showing your texture / Time to let everything inside show”. The song could easily have fitted in on “Saturday Night Wrist” too.

Next is Poltergeist, which opens with claps and a rumbling bassline, letting you know that you can expect the same high energy as the previous tracks. In fact, this track feels like it would be at home on “White Pony”, despite the polyrhythmic style of the guitar at parts. Entombed however is the first time where the band mellows out, reminiscing the mood and style of Sextape (from “Diamond Eyes”) with its seductive melody and eloquent chorus, featuring a nice play between synth-keys and drums during the outro.

Sixth track Graphic Nature returns to the aggressive style ,with jarring and slightly disjointed guitars, yet the melody is plentiful. Tempest is the first track to reach to over the 6-minute mark, filled with those driving-through-the-night feeling riffs while mystical lyrics flow over the top, especially with the chorus haunting “Turning in circles / Caught is a stasis / The ancient arrival / Cut to the end”. It’s just hypnotic in its delivery and oddly soothing even with the distorted guitars.

Gauze is yet another track that charges in with aggression as Chino sings warning messages over the top, but there’s no simpler way to describe the following track Rosemary other than if there was a song to describe the beauty of the Universe, this would be it. The sound is on such a grand scale that it feels like it weighs more than the Earth, which peaks with the enormous chorus of “Time shifting / We discover the entry / To other planes”, playing heavily on atmosphere.

Goon Squad, though starting with soft scrapes across clean chords, is full of spiteful aggression – especially with Chino’s opening line “I carve my name across your town when I’m set” and the later “Before we get down you should prepare your heart strings / To cut all the ties and watch the trends begin”. Final track What Happened To You? provides a smooth ending to the album, sounding like a hybrid between the styles of “Saturday Night Wrist” and “Diamond Eyes”, and Sergio’s bassline embeds itself into your memory, as Stef’s guitar sounds more complimentary than being the focus to the overall sound (which isn’t a complaint).

In the end, this may be the most consistently pleasing album since “White Pony”. Every track is memorable and addictive, and there’s nothing that spoils the album or seems out of place in the slightest. Instrumentally, Deftones have tightened the screws since the fairly rough “Diamond Eyes”, and it feels like the band may have been keeping their best riffs and grooves during the last ten years and saved them up for this album alone.

There’s no reason for the hardcore Deftones fan to be disappointed by this. In hindsight, after listening to this album, you might just question what they’ve been doing during the previous few releases, and not because they’re bad, but because you wonder why this album is so much more satisfying than the last few.

It’s been worth the wait.

9.3/10
Favourite tracks: Romantic DreamsRosemary, Leathers, Goon Squad.

Review by Rich Reviewz