Star Trekkin’ Across The Albert Hall


Star-Trek-Into-DarknessAs Star Trek fans we’ll be getting our tickets for this event: https://www.royalalberthall.com/tickets/star-trek-into-darkness/default.aspxHave you bought yours? We will of course be showing up looking the part. The only difficult part will be deciding on the uniform for the night. Click here now to choose yours from our huge range of Star Trek T-Shirts and Merchandise.

The Royal Albert Hall will host the UK premiere of Star Trek Into Darkness – Live in Concert, celebrating the extraordinary collaboration between J.J. Abrams‘ 2013 blockbuster hit and its soundtrack.

Following on from Star Trek – Live in Concert at the Hall the day before, Star Trek Into Darkness will also see Michael Giacchino‘s score brought to life on stage by the 21st Century Symphony Orchestra and Chorus conducted by Ludwig Wicki, whilst J. J. Abrams’ critically acclaimed film is shown simultaneously in high definition on the big screen.

 

New Dead Kennedys Merch!


Great news! We’re happy to say that we’ve now widened our range of Dead Kennedys merchandise!

If you’re even only slightly aware of punk, Dead Kennedys is a name that should ring a bell with you. One of the prime bands of the early-1980’s hardcore punk movement in America – along with Bad Brains, Black Flag and Minor Threat – Dead Kennedys were a band that pushed punk further with speed and aggression. Unlike their contemporaries, they were far more political than social thanks to Jello Biafra’s lyrics; which were often playful and drenched with satire while criticising right-wingers and totalitarian governments, written in the point of view of those people more often than not. Check out songs like Police Truck and California Uber Alles and you’ll get the idea.

Unsurprisingly, this meant that the band stepped on a few toes during its existence, Jello often feeling the brunt of the backlash. Their 1985 album “Frankenchrist”, the band faced charges due to their use of H.R. Geiger’s ‘Work 219: Landscape XX’, for ‘distribution of harmful matter to minors’. For a while, Biafra ended up on several heated talk shows defending the band’s actions and creativity to angry audiences, unveiling in several of the police brutality he experienced during a raid of his home.

After all the trouble and controversy of that particular time, Dead Kennedys decided to call it a day in 1986 after releasing the suitably named “Bedtime For Democracy”.

While the band has reunited – guitarist East Bay Ray being the only original member now – they haven’t released anything new and seem to have lost their shine when communication with Biafra soured after the break-up. Granted this is a shame, but Jello has experienced continuing success with his own band Jello Biafra and the Guantanamo School of Medicine (often playing Dead Kennedys songs live), his spoken word albums and collaborations with the likes of Melvins and D.O.A.

Nevertheless, Dead Kennedys left a big impression in punk, rock and metal; influencing a whole generation of teens and a myriad of bands, most notably Slayer, as the late Jeff Hanneman was a huge fan.

You can check out our updated Dead Kennedys merch, and visit the official Dead Kennedys website.

Related merch:
Bad Brains
Misfits
Bad Religion

New Emperor Merch In!


In 2013, Emperor announced their reformation with their headline appearance for Wacken 2014 (soon after they added Hellfest and Bloodstock to their festival headlines as well) and the metal community ended up selling out the festival within days. So we’ve decided to join in and show our excitement with a BIG range of Emperor merch!

Emperor was one of the biggest bands to come out of the first-wave of black metal with their contemporaries Burzum, Darkthrone, Mayhem, Satyricon and Immortal. Each band had their own distinguishable trait and Emperor’s was their clear appreciation for progressive rock/metal thanks to the technical abilities of the band, especially seen with vocalist/guitarist Ihsahn and his solo project. They also had keyboards which were a staple to the band’s symphonic sound.

The history of Emperor has been a long and dark one with its affiliations to church burnings and the controversy surrounding the ‘Black Metal Circle’; which has undoubtedly just as much helped the band publicity-wise as much as it has complicated it. The backstory aside, Emperor were undeniably crucial to the rise and popularisation of black metal through their music: a metal classic born through their track I Am The Black Wizards.

Although there are only four studio albums to their name, Emperor managed to lay down its legacy with their debut “In The Nightside Eclipse” and the follow-up “Anthems to the Welkin at Dusk”; which are the undisputable fan favourites in the black metal community. So in celebration with the great news of their reunion, we’re also celebrating the 20th anniversary of “In The Nightside Eclipse”!

Emperor Tshirts & merch merchandiseTo view the rest of the influx of our Emperor merch, just go here. You can also view Emperor’s official website.

Related merch:
Burzum
Bathory
Gorgoroth

Crosses Shirts Now In!


Here at Eyesore Merch, we are happy to announce that we now have Crosses – or ††† – merch in stock! The project formed by Chino Moreno (of Deftones, Team Sleep, Palms), Shaun Lopez (Far, The Revolution Smile) and Chuck Doom is something outside either of the former two’s usual style; although it should not come as a surprise if you know about Chino’s love for the likes of Depeche Mode and Duran Duran.

Crosses are a sort of pop-rock/electronic band that fuses synth-pop melodies with the occasional use of guitars to create big choruses – all the while Chino croons with dark romantic lyrics shrouded in mystery. So far, the reaction to this project has been nothing less than fanatical.

Even though they only formed in 2011, Crosses has managed to achieve a lot in its time so far, especially in consideration with each member’s outside commitments. Releasing the equally welcomed “EP 1″ in 2011 and “EP 2″ in 2012, they have contributed a track to the Batman: Arkham City game and a remix of the infamous Dragula track on the Rob Zombie remix album “Mondo Sexhead”. In 2013, they unveiled a track called Bitches Brew (a clear tribute to the legendary Miles Davis) and performed several live performances throughout the year. Now they have scheduled the release of their debut self-titled album for the 11th February 2014.


So it’s no surprise that we’re excited to be able to spread the name of Crosses here in the UK! We’re looking forward to what the future brings with this trio.

You can check out our selection of Crosses merch, and visit the official Crosses website or their facebook.

Related merch:
Roxy Music
Gary Numan
Faith No More

Live Review: The Wildhearts – Earth Vs 20th Anniversary Tour, Manchester Academy 05/04/2013


Setlist:
Greetings From Shitsville
TV Tan
Everlone
Shame On Me
Loveshit
The Miles Away Girl
My Baby Is A Headfuck
Suckerpunch
News Of The World
Drinking About Life
Love U Til I Don’t

Caffeine Bomb Vs Sick Of Drugs
Got It On Tuesday Vs Schizophonic
You Beautiful Thing
Vs Red Light Green Light
Naivety Play Vs Dangerlust
Mood Swings & Roundabouts
Vs Now Is The Colour
Deep In The Arms Of Morpheus Vs Turning American
The Duck Song
Vs Hate The World Day
Nothing Ever Changes But The Shoes Vs Geordie In Wonderland
29 X The Pain
Vs I Wanna Go Where The People Go

Last April my brother asked me to be his best man, an honour, for sure, but I’m not the most organised person. So when the Wildhearts announced a tour to celebrate Earth Vs The Wildhearts 20th Anniversary it certainly took a lot of pressure off my shoulders.

They’re not just a band who my brother and I share a love of, but also my girlfriend, her brother, several of our closest friends. All of whom made the trip over the Pennines for this gig. In the past I’ve been on road trips to Dudley, Nottingham and Scarborough to see them, as well as closer to home, so a jaunt to Manchester felt like the perfect choice for this stag do.

The gig had been upgraded from The Academy 2 to the main Academy, a fact that underlines the appeal that The Wildhearts, and more specifically the Earth Vs album continues to have. Thankfully tonight the line-up, which consists of Ginger & CJ from that era, together with Rich Battersby and Jon Poole, do the album justice. As does the sound in the Academy, Rich’s bass drum is particularly punchy during opener Greetings From Shitsville. The crowd is also in fine voice as well, singing the ‘So, So, KO’ line in TV Tan with gusto. The fact it’s a Friday night and most people are willing to lose their inhibitions no doubt aids this. During Everlone I even found myself pogoing for the first time in years, something my knees weren’t thankful for the next day.

Shame On Me  is one of the less familiar album tracks, so there’s a slight lull, but the trio of songs that follows The Miles Away Girl, My Baby Is A Headfuck and Suckerpunch is pretty much unbeatable, especially the one-two combination of the last two. Suckerpunch sounds as frenetic as ever, echoing Ministry’s Jesus Built My Hotrod in terms of its impact the first time I heard it, it was the song that converted me to the Wildhearts in the first place. Following this News Of The World is never going to compete, which is the inevitable issue that arises at shows such as this, whereas a straight ‘hits’ based set wouldn’t leave room for comparative filler. Still the meaty, almost thrash, riff near the end compels my neck muscles into action.

The outset of Love You Till I Don’t’s brings a touch of sunshine to the Manchester night, whilst later in the song Rich Battersby’s drum tattoo brings to mind the opening of another classic song from 1993, namely Anthrax’s Potters Field. Catchy choruses to kill for, thrash riffs, near industrial hit singles and a pop sensibility that has always served the band well, it’s fair to say that the band and Earth Vs in particular covered a lot of bases which explains the diversity in tonight’s crowd (More of which later). So far, so good.

The second half of the set offered that crowd a chance to select what the band played, an intriguing premise that despite being highly enjoyable initially was slightly flawed. There was a slight air of inevitability that when presented with a choice of Caffeine Bomb or Sick Of Drugs. The majority of the crowd opted for the former, which appeared on Earth Vs when it was re-issued in 1994. For me it would have been preferable if it had been featured in the main set and something else went up against Sick Of Drugs, perhaps If life Is Like A Lovebank I Want An Overdraft.

The next two choices presented an interesting dilemma, pip for the song you’ve heard of or go for a surprise in my case. Schizophonic won out, a track that originally appeared on the band’s legendary, initially mail-order only, EP Fishing For Luckies. The alternative was Got It On Tuesday, a B-Side from the Red Light – Green Light EP, which on the night I couldn’t remember. Both choices show how prolific The Wildhearts were from their early nineties inception right through to their initial split after 1997’s Endless Nameless. Nearly every single they put out came with 3 new songs, some of which happened to be amongst their best material.

I was at the bar during the next choice and a gent in what can only be described as glam-rock attire, including a fur coat, planted a kiss on my cheeks by way of an apology for spilling some beer over me. A gesture which underlines the love in the room for the band, having an uplifting affect on those in attendance. Had he spilt that beer in one of Manchester’s many bars later in the night over a less open-minded individual he may well have got into a physical altercation!

The next choice, You Beautiful Thing was a B-Side on the Suckerpunch single and was a fairly unanimous selection over the somewhat novelty Red Light – Green Light (The video for which is well worth looking up on Youtube just to contemplate how the band got away with putting it out). Granted there’s no guest saxophonist but just hearing such a gloriously hook laden song and realising that this wasn’t even the best B-Side on said single makes you realise how much the quality of that format has nosedived since the advent of downloading.

The crowd certainly seems to be largely populated by singles and rarities aficionados, who go on to select Dangerlust from the TV EP over PHUQ album cut Naivety Play and Mood Swings And Roundabouts, which came from the band approved re-release of Fishing For Luckies and wasn’t on EastWest’s cash in version (Are you keeping up, following The Wildhearts was certainly an exhausting pastime!) over Now Is The Colour (An Endless Nameless album cut).

The subsequent choice of Turning American from Don’t Be Happy…Just Worry over Deep In The Arms Of Morpheus was described as a forgone conclusion. Perhaps not surprising considering a recorded version of the latter has only surfaced on Ginger’s fan funded 555% in 2012. It’s similarly unsurprising that the audience implore Rich Battersby to come out from behind his drum kit in order to sing The Duck Song (The football chant style ending to 29x The Pain) rather than Hate The World Day; a Life Is Like A Lovebank… B-Side which itself ends with a rather memorable football terrace friendly chant (Something the band excelled at, Don’t Worry About Me still gets sung by the audience at the end of any of their gigs).

Geordie In Wonderland, which successfully mixes an almost Mediterranean feel with its lilting folk and lyrical subject, is a crowd pleaser that would have trumped most songs, so the chances of hearing Nothing Ever Changes But The Shoes were always slim, and so it came to pass.

The final choice of the night, described as a heavyweight clash by our announcer sees perhaps the greatest Wildhearts song (And one of my all time favourite songs), Suckerpunch B-Side 29x The Pain pitted against one of the band’s most popular singles I Wanna Go Where The People Go. It’s a close run thing. Thankfully, for me, the former got the nod and I was in heaven for the next few minutes.

Giving the audience the final say in the second half of the set led to some enjoyable moments, but it robbed that portion of proceedings of some momentum. That the audience frequently chose B-Sides suggest the band should have just stuck to the Earth Vs singles and played all the B-Sides from the TV EP, Suckerpunch and Caffeine Bomb. Five of them made it in anyway. There was also a noticeably less banter from Ginger tonight, but what little there was mostly revolved around the fact the band genuinely didn’t know what choices the band would be presented with. In that sense tonight was, for better of for worse, truly about people power.

If you want to have a hand in deciding what the band play next time round they have added another batch of dates in June:

21st June – Bournemouth Academy
22nd June – London Forum
23rd June – Bristol Academy
28th June – Leicester Academy
29th June – Newcastle Academy
30th June – Leeds Academy

Post by Andrew Whittaker

Dyscarnate Interview: “Our plan is to always get better and better with every release.”


Dyscarnate

On the first day of Hammerfest, a light drizzle has been flirting in the air. However, after Dyscarnate play one of the most intense sets at Hammerfest, the rain begins to pour down, and so the trio brave it so we can talk about touring, progression and the dreaded ‘third album’…

I’m here with Dyscarnate. Would you guys like to introduce yourselves and what you do in the band?

TOM: My name’s Tom, I play guitar and also vocals.
HENRY: Henry, bass and vocals.
MATT: I’m Matt and I play the drums.

First of all, how are you guys today?

MATT: Good, yeah! Bit tired, we had a long drive up – five or so hours – but good now we’ve played. Feeling good, having a few beers.

How did you feel about the reception you had for the set then?

TOM: Yeah, really good actually! We were a bit dubious before we started playing, we were looking out at the crowd and it wasn’t that busy, and we weren’t really sure if there were too many death metal heads in the crowd, but once we started playing it just filled out, people getting into it, pits and people headbanging… so yeah, it was good.

The reaction seemed really good, a mini-moshpit going on.

HENRY: Yeah, smurf moshpit! [Edit: There was a group of Smurfs in the crowd]

For anyone new to you, how would you describe yourselves? Maybe a little bit of history, musically to begin with if you want.

TOM: Style, I suppose, obviously death metal. Our influences are sorta taken from stuff like Dying Fetus, Misery Index, Cannibal Corpse – those sort of bands – and some of the newer stuff like, y’know, maybe elements of Whitechapel. People might not see that so much but they are a bit of an influence on us.
HENRY: Anything catch really.
TOM: Yeah, if you can bang your head to it…
HENRY: Just the catchy heavy shit really, that’s what we like, that’s what we do.
MATT: Hatebreed are playing this weekend, they’re a big influence on us, as well as Napalm Death. It’s halfway between Hatebreed and Napalm Death – all the grindcore blastbeaty bits with groovy bits as well.

That’s a pretty good description!

MATT: It works. Those are the two bands we’re really looking forward to seeing this weekend.

Anybody else you’re looking forward to?

TOM: I can’t think of anyone else who’s playing.
MATT: Our mates Bloodshot Dawn are playing, Flayed Disciple are playing too. Our friends in OAF as well, just sorta bass, drums and vocals, which is pretty cool. Yeah, we’ve got a few friends playing, and I think for us, Napalm and Hatebreed.
TOM: We’ve probably ruined one of your questions now, haven’t we?

Yeah, kind of, I was saving that for later! That’s one down.

HENRY: Fuck it, move on!
MATT: Next! [Laughs]

Well, how long have you guys been together then with all the touring…

TOM: Overall, me and Henry have been playing music together since 2002, something like that, but we hadn’t been a serious band, with the line-up we are now, until since 2007-08.
MATT: In 2008 we brought out our first EP, if you can call it that…
HENRY: Pile of shit.
MATT: Don’t say that!

I liked it – I bought it!

MATT: It’s a good CD! [Laughs]
HENRY: Oh!
MATT: It’s a bit under-produced compared to our later stuff, so you know, I think it’s pretty cool to have that just to show growth as a band; someone can listen to us chronologically and sort of…
HENRY: Progressively gets better, in my opinion… although a lot of people will prefer “Enduring The Massacre”.
MATT: I’d hate to blow our best CD on the first one and it will be downhill from there. Our plan is to always get better and better with every release.

Improve and change.

MATT: Definitely, yeah.

Dyscarnate

Last time I spoke to you was the Aeon gig [Cardiff] in January, how have things progressed in that short time? Have you had any exciting stories on tour?

HENRY: Aeon, we had a snowball fight with ‘em, that was quite fun.

How did that go, who won?

TOM: Errr… mixed bag [Laughs].
MATT: [Laughs] The Aeon singer was getting very into it.
TOM: There was snow winner in that one, I tell ya.
MATT: Oh… come on!

No blood then?

HENRY: No blood. Just every man for himself.
MATT: We put them onto the wonders of Sainsbury’s hot food deli as well, and they were in awe of that, so… they were loving it.
TOM: Chicken wings…
MATT: Couldn’t get enough of that.
TOM: Yeah, it was a good tour, we had a good laugh.
HENRY: Dublin was the best night – we were all just completely battered and just pissed around all night.

Was the crowd insane?

HENRY: The crowd was the best as well I reckon.
TOM: Really?
MATT: Dublin?
HENRY: Don’t slag them off!
TOM: Cardiff was good.

Aw, you don’t have to say that.

TOM: It was good!
MATT: London, Dublin, Cardiff.
HENRY: Capitals.
MATT: Exactly, yeah. Everyone’s brilliant, but London, Cardiff and Dublin… Dublin we love: the nights out we have in Dublin are always the best.

I’m sure you mentioned before that that was going to be the first Irish date you’d do.

MATT: Dublin? Yeah.
TOM: No, it was Cork, then Dublin and Belfast.
MATT: Yeah… but we’d played Dublin before with Fleshgod Apocalypse. After we’d been there once, we wanted to go back, Ireland is just fucking amazing to play shows in, some of the nicest people we’ve met I think.
TOM: Yeah, along with the Welsh.

The last time I spoke to you, you mentioned you were planning a new album in 2014…

TOM: Yeah, 2014, we’re working on it at the moment.

No new jams?

TOM: Not at the moment, we’re sorta getting the pre-production tracks together, sorta piecing it together, nothing concrete down just yet.
HENRY: It’s fucking hard, y’know?
TOM: 2014 will be…
HENRY: There’s an awful lot of touring life left to pass.
MATT: Yeah, we’re gonna do that an awful lot more and get to a hell of a lot more places.
HENRY: Problem is is that album number one is your life’s work, album two is the progression of that and album three is like “Oh hell, what do we do now!”
MATT: You’re fucked!
HENRY: So we’re just…
MATT: We don’t want to repeat ourselves – we’re trying to find our ‘album three’ sound.
TOM: It’s gonna be a “Black Album”…

It’s gonna be a worldwide seller!

HENRY: Yeah, it will be a “Black Album”.
TOM: Enter Sandman
HENRY: There’ll be no blastbeats.
TOM: St. Anger
MATT: We’ll fuck off death metal, there’ll be singing, we’ll have a female vocalist.

Sue Spotify?

MATT: Yep, brilliant.
HENRY: Of course!

I don’t know if you guys know, but not too long ago, Arif of Wormrot posted a video of one of your songs on his Facebook, said he really liked you.

ALL: Oh cool!

Is this the first time you heard that?

MATT: Yeah! We played with them a long time ago, at The Old Blue Last in London.
HENRY: Yeah, at Hackney.
MATT: It’s Islington isn’t it?
HENRY: No, Hackney.
TOM: It’s Shoreditch.
HENRY: Shoreditch, that’s right!
MATT: The Old Blue Last is quite a legendary venue; it’s quite a well-known venue. Yeah, we played with those guys, they were awesome. I remember the chicken impressions were particularly impressive.
HENRY: Yeah, he was barefoot on stage, weren’t he?
MATT: Yeah, it was really cool! Those guys are fucking awesome; we haven’t had any contact with them since then though.

He plugged you about maybe a month and a half ago.

MATT: Wicked!
TOM: Cool.
MATT: Twitter or something?

Nah, Facebook. Well, I was wondering, but you’re obviously quite happy about that then?

MATT: Yeah, cool band!
TOM: What a man.

Well, I was going to ask who else you guys were excited to see, but er…

MATT: Well, Napalm and Hatebreed; I’d say our sound is halfway between the two.

Yeah, I don’t remember you saying that… So what’s in the pipeline for Dyscarnate in the future?

ALL: More of these [Laughs]. [Edit: This is a David Brent (The Office) joke I forgot at the time]

More gigs? More festivals?

HENRY: More of these, yeah.
MATT: Yeah, we got more.
TOM: Nah, we’re going to Russia at the end of the month, we’re doing a headline tour out there, so that’s like ten days in Russia.
MATT: Ukraine as well.
TOM: One day in Ukraine, yeah.

Pretty much an Eastern European tour?

TOM: It’s our first time, we’ve done like the Czech Republic and Slovakia before, but not been as far as Ukraine, so it should be interesting, should be good – we’ve heard good things about Russia so we’re looking forward to it, and er… there’s a festival in Indonesia at the end of April, it’s supposed to be a 35,000 capacity festival.
HENRY: We’ve got stuff planned later in the year too, but I’m not sure if we can talk about it just yet.
MATT: We’re headlining a festival in Israel as well, we’re doing Tel Aviv Deathfest, which will be pretty sweet.
TOM: We’re the secret headliner for Bloodstock… nah, only kidding.
MATT: [Laughs] Yet to be announced!
HENRY: Yeah, we’re gonna headline Download [Laughs].
TOM: They tried to get Machine Head in but said ‘nope’ [Laughs].

That’s pretty much it, is there anything you’d like to say to your fans, in Wales or otherwise?

TOM: Yeah, for anyone who came down to our set in Hammerfest, we appreciate it, hope everyone enjoyed themselves and hopefully we’ll be back before the end of the year. We’ve got some stuff planned and we’ll be back in Wales.
MATT: Yeah, what he said!

It was cool to talk to you!

TOM: Thank you.
MATT: Cheers, yeah.

Dyscarnate‘s latest album, “And So It Came To Pass”, is out now on Siege Of Amida Records.

Interview by RichReviewz.